The song received the 1956 Academy Award for Best Original Song with the alternative title "Whatever Will Be, Will Be (Que Sera, Sera). Societe d'Editions Musicales Internationales 30ct56 EFO - 47967, QUE SER, SER. That said, the. It reached the Billboard magazine charts in July, 1956. 22Jan57 EU462826 QUE SAUDADE toada - baiao, letra e musica de. The title is actually a mistranslation from Spanish - meant to mean What will be will be but not actually making much sense in the language. From 1968 to 1973, it was the theme song for the situation comedy "The Doris Day Show", becoming her signature song. Que sera, sera Whatever will be, will be The future’s not ours to see Que sera, sera What. When I grew up and fell in love I asked my sweetheart, what lies ahead Will we have rainbows Day after day Here’s what my sweetheart said. When I was young, I fell in love I asked my sweetheart what lies ahead Will we have rainbows, day after day Heres what my sweetheart said.
Que Sera, Sera, Whatever will be, will be The futures not ours, to see Que Sera, Sera What will be, will be. Day's recording of the song for Columbia Records (catalog number 40704) was a hit in both the United States - where it made it to number two on the Billboard charts - and the United Kingdom. Que sera, sera Whatever will be, will be The future’s not ours to see Que sera, sera What will be, will be. When I was just a little girl I asked my mother, what will I be Will I be pretty, will I be rich Heres what she said to me. The song was featured in Alfred Hitchcock's 1956 film, The Man Who Knew Too Much", with Doris Day and James Stewart in the lead roles. Keep in mind that even though it may still be light outside, the people standing on the benches swaying along to this song have been drinking massive glasses of beautiful German beer for hours and are probably a bit emotional by now."Que Sera, Sera (Whatever Will Be, Will Be)", first published in 1956, is a popular song which was written by the Jay Livingston and Ray Evans songwriting team. There is actually a German version called "Was kann schöner sein" - What could be more beautiful - but at the beer festivals they always play it in English.
The future’s not ours to know, so just let it roll! That said, the phrase has been around in English for hundreds of years as an expression of life’s fatalism. Que, sera, sera, whatever will be Hee, hee, hee, hee Ha, oh, oh, oh, because, because The future is not for us to see, no Que sera (que sera) que sera (que sera) Que sera, oh- yeah When I grew up and fell in love I asked my lover, ooh, baby Baby what will I be (Hmm, oh, oh, oh) What will I be (Will I have. The title is actually a mistranslation from Spanish - meant to mean “What will be will be” but not actually making much sense in the language. Que Sera, Sera (Whatever Will Be, Will Be) was written by Jay Livingston and Ray Evans all the way back in 1956 and introduced in the Hitchcock suspense film The Man Who Knew Too Much.ĭoris Day, who starred in the film, made it her signature tune and the theme for her sitcom The Doris Day Show. It’s got to be one of the most distinctive songs regularly played at the Oktoberfest.